Tuesday, January 19, 2010

Pet Peeve

I have been ruminating on this topic for sometime, and what has prevented me from broaching the topic is not my continued interest, but how to approach it without shooting myself in the foot. As an Artist myself who enjoys a reputation for continually exhibiting, there are gallery owners who may find my criticisms somewhat objectionable.
Once upon a time a gallery owner/art dealer would take responsibility for representing their Artists both on the wall and off. They were business people who would take a keen interest in which Artists they would take under there wing. Once you were selected there would be a contract settled on which would allow the gallery to take a commission on sales. However the relationship wouldn’t just end there. The Artist and the dealer had a close relationship which would include studio visits to discuss the direction of new work. The dealer had a clientele whom would also be included in the dealer’s regular business and social circles. Yes once upon a time gallery owners actually worked for the Artist because they were motivated by the commission arrangement.
Well folks things have changed. Now galleries are walls that we rent. There is at times more to it than just that, but more often than not what you get for what is often more than $1,000.00/week are the walls, and an ad in one or more free local tabloids next to the escort ads. They may even send out emails to their contact list. It is with regret that I inform you – that is where the relationship ends. Almost never will you get a prepaid reception. Never expect them to market you beyond your exhibit. If you want any marketing done over and above it is on your tab, invite cards included. Unless the Artist is actually sitting the exhibit it is rare that whoever is attending will even feign interest in potential purchasers who walk in the door.  There are also a number of other trivial matters that I think go to a lack of professional standards, but I won’t rant forever.
In conclusion I think that we as Artist have got too either bite the bullet and learn how to be our own marketing agents, or start making the gallery owners aware that our interest in exhibiting is an extension of our career as Artists, and to that end gallery owners should start taking more responsibility for marketing the Art on the walls.

Friday, January 1, 2010

Celebration


  Amongst the vines and the pond the party continues....

Saturday, December 12, 2009

Yes In The West


She returns to her place of birth....gives birth and enters into nirvana...and the circle continues...

Oil On Plywood
48" x 48"
2009

Sunday, November 1, 2009

Algonquin Dream


It sits on the land..having dreamt on dark waves....


Algonquin Dream
Oil On Plywood (with routered details)
48" x 48"
2009

Thursday, September 10, 2009


Tom Ngo
Invalids
Lennox Contemporary Gallery


I've considered the show's title "INVALIDS " suggesting something broken, somehow dysfunctional, and yes Tom has presented us with images of post modernist machinations that have no obvious function, and as machines or structures couldn't possibly work. Tom also suggests that his vision is somehow rooted in absurdity and humour. I can see how he has had a good chuckle either with or at the Bauhaus. Yet all this said I would say that these are rather serious almost cynical images that portray post modernism as it actually is. Tom has reassured me that all things architectural are doomed to suffer their own trade of vision for lust. As absurd and unworkable as these images seem to be I see them wherever urban society thrusts itself forward into a world of mine is bigger and better than yours. An urban world where the banality of mushrooming condos glorify the vision of architectural absurdity. They don't F%#@**ng work.
Trained as an Architect Mr. Ngo has slyly used gypsum board, drywall to the rest of us, and old faded drafting paper as his backdrop. This pleases me to no end. Being a painter and lifelong construction worker I love to see common construction materials used to defy the insistence of the academic world of art making to be relegated to the same old same old. His obvious skill as a draftsman shows through with his confident line and bold geometry. These drawings resonate with an exacting mathematical relationship with we mere mortals that live and work within. His colours are on the soft side but never invisible. Balance after all is the rigueur.
Tom Ngo's vision of our invalid world is on the walls of the Lennox Contemporary Gallery, 12 Ossington Ave. Toronto, 416-924-7964 from Sept. 3rd - 20th.

Sunday, August 16, 2009

Arctic Lament


Sadly it melts into memory...

Arctic Lament
Oil On Plywood
4' x 4'
2009

Prairie Possibility


It stands stoic...an icon in the prairie breeze...

Prairie Possibility
Oil On Plywood
4' x 4'
2009